Showtime 2015 Summer Programming Overview
Highlights include new seasons of its Sunday dramas “Ray Donovan” and “Masters of Sex.”
ALEC MAPA: BABY DADDY Premieres: Friday, June 12th at 10:00 p.m. (ET/PT) Visit: http://www.sho.com/sho/comedy/titles/3416837/alec-mapa-baby-daddy#/index
Actor and comedian Alec Mapa shares hilarious and heartfelt stories about how his life has changed since he and his husband adopted a five year old through foster care. No topic is off limits in this raunchy yet moving film of his award-winning one-man show: Mapa’s sex life, hosting gay porn award shows, bodily functions, stage moms vs. baseball dads, and the joys, challenges, and unexpected surprises of fatherhood. Behind-the-scenes footage of his family’s home life show why Mapa is beloved as “America’s Gaysian Sweetheart.”
Youâre also raising money for season three of YouTube series âWillam Belli Beatdownâ?
Iâm doing a Patreon [fundraiser] now, but my Kickstarter did pretty well. I was aiming for $10 grand and got $55,000. Iâm going to do the first episode from a Lamborghini.
What does Patreon do thatâs different from the others?
Um, I donât know. But the girls that produce itâitâs basically a sponsorship, itâs a like an extended thank you, I think. Iâm not really sure. You know [filmmakers] Andrea James and Calpernia Addams, right?
Yeah.
They produce âBeatdownâ for me, and I couldnât do it anymore, and I was like, âGirls, Iâm sorry this is so much fun but blah blah blah,â and they were like, âLetâs do a Kickstarter,â and I hate asking for money, but they help me manage it and it works, so everybody wins. I knew people watch because of the views and stuff, but I was like goddamn, $55K? Shitâyou know?
Andrea James, Kate Bornstein, and Justin Vivian Bond
Some trans people, though, embrace the word, even defending RuPaul’s right to use it. âMy transgender tent proudly includes crossdressers like Dennis Rodman, or drag queens like RuPaul, or people who identify as shemale, or those throwing around the word tranny,” said Andrea James, who isn’t alone. Count activist Kate Bornstein and performer Justin Vivian Bond in the same camp.
Fuse has greenlit six half-hour episodes of docuseries Transcendent, the network announced Monday. The series will chronicle the lives of a group of trans women who perform in the AsiaSF Cabaret and Restaurant in San Francisco.
Fuse, which is extending its programming focus beyond music, has greenlit six half-hour episodes of docuseries âTranscendent,â which documents the triumphs and struggles of what itâs like to be transgender in America today. Set to debut next fall, the series is produced by World of Wonder Productions, which also produces âBig Freedia,â now in its third season on Fuse.
Fuse is continuing to reach beyond its music-centered programming roots with a greenlight today for Transcendent, a documentary series following the triumphs and struggles of a group of transgender San Francisco cabaret performers. Six episodes have been ordered from World of Wonder Productions for a fall launch.
Fuse television network has just ordered a new docu-series, Transcendent, which will document the lives of a group of transgender cabaret performers in San Francisco, the network confirms to EW.
Unlike Wild Side, Duncan Tuckerâs film did not employ a trans woman as its protagonist. It featured Desperate Housewives star Felicity Huffman as transsexual Bree, who goes on a road trip after getting a call from her previously unknown son Toby, 17, jailed in New York.
Although it is very much Huffmanâs movie, plenty of trans people feature â Transamerica begins with a recording of writer and activist Andrea James providing voice training for trans women, with several scenes showing Bree attempting to integrate with trans communities, a challenge rarely before shown on screen. The script â on which James was a consultant â displays impressive awareness of the issues that trans people face and the language they use, especially with Felicity struggling to live in âstealthâ by not revealing her gender history. Itâs sometimes ridiculous and occasionally uses Breeâs body for shocks or laughs, but itâs also often touching, and crucially, never allows her to become a victim.
March 15, 2014, Egyptian Theatre, Hollywood. Presented by Sandra Oh.
ALEC’S PREPARED REMARKS
Thank you Sandra Oh, my childhood friend.
Ok, that clip reel was scarier than my facebook anniversary video. I didn’t know facebook was going to post those and I saw mine in the middle of the night and I was literally like “Holy shit. Did I die? Is this what they’re playing at my funeral? Did I really live my entire life on facebook? That’s so sad!”
First things first, none of us would be here this evening without the hard work of our director Andrea James and her producing partner, my husband Jamie Hebert. Girls marry a producer. They’ve worked tirelessly taking this from a kickstarter pitch to tonight and on the way assembled a brilliant group of technicians to make it all possible. Ian MacGlocklin our DP, Patty Cornell and Erika Sellin who ran the show, Marc Jackson who wrote the music and Bryan Lukasik who ushered all of us through post . And of course everyone who funded us through kickstarter.
Thank you OutFest for this career achievement award. Marc Cherry who’s here tonight and one of our producers once said that my career only existed because of sheer force of will so I think I’m getting this award for being stubborn, for lasting this long. I mean the Cosby Show was 25 years ago so it’s pretty clear at this point, you can’t kill me with a stick. I’ve been an actor for thirty years, and sometimes I feel like I’ve worked for two of them, but the truth is I’ve always been working. I’ve always been working because I’ve always been telling my own story. And here’s why.
27 years ago, I was in Washington DC for the first unveiling of the AIDS memorial quilt. It had 1,290 panels and each one memorialized a person who died from AIDS. And as I walked among the quilt you could see entire life stories in each and every panel. You could see that this person was a dancer, or an artist, or a devoted wife and mother. I was looking at a panel of someone who had clearly been a drag queen because his panel was crammed with more sequins and glitter than you could possibly imagine, I mean it looked like Liberace had thrown up. And you could see from the care and detail devoted to this panel that this person was deeply missed and deeply ,deeply loved. And I said out loud to the stranger next to me “Why do they hate us so much?” and he said “They don’t know us.”
And at the time it did seem like no one knew about us, that we were very much this shadow minority and that our stories outside of our friends and family, outside of this quilt simply weren’t being told.
I once read that it takes audacity to put yourself center stage, but I think the truth is it takes audacity NOT to put yourself center stage. Each of us has a story that’s absolutely unique to us. Stories of heartbreak and triumph, perspective and experiences on what it’s like to be a human being on this planet, And THAT story is valuable, because it brings people together, it opens enormous reserves of compassion and empathy in all of us, because we’re all going through it. To hear an entire audience laugh and cry about the same things proves there’s a collective experience, that we’re not going through this alone. And if you don’t tell that story, it’s lost forever. So if you’re a film maker, a writer, a dancer or an artist, share your story share your truth, people are longing for it. And if your story has fart jokes, even better.
So thank you for recognizing my work and most importantly I’d like to thank my son Zion for making me and my husband a family and giving me the best possible story to tell. Thank you.
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