Entertainment | January 23, 2020
JAY MEEHAN
With adrenaline driving the narrative from both the air and the ground, the never-ending breaking news cycle and the competition to capture its most intriguing visual aspects for L.A.’s prime-time news make for a riveting storyline. Keeping up with the footage and adapting its effects upon the family and the city is at the heart of Yoka’s film.
The overhead archival camera shots of L.A. in both panorama and close up, coupled with head-shot interviews and candid family footage shot specifically for the film, provided him a palette sufficient to cinematically carve out both his criteria. He would indeed have an L.A. story with enough visual to drop jaws.